Hal Ashby's obsessive genius led to an unprecedented string of Oscar®-winning classics, including Гарольд и Мод (1971), Shampoo and Being There. But as contemporaries Francis Ford Coppola, Scorsese and Spielberg rose to blockbuster stardom in the 1980s, Ashby's uncompromising nature played out as a cautionary tale of art versus commerce.
Amy Scott’s exuberant portrait explores that curious oversight, using rare archival materials, interviews, personal letters, and audio recordings to reveal a passionate, obsessive artist. Ashby was a Hollywood director who constantly clashed with Hollywood, but also a unique soul with an unprecedented insight into the human condition and an unmatched capacity for good. His films were an elusive blend of honesty, irreverence, humor, and humanity. Through the heartrending and inspiring HAL, you feel buoyed by Ashby’s love of people and of cinema, a little like walking on water.
“One of the comparatively unsung luminaries of 1970s American cinema receives a very fine tribute in HAL, an in-depth look at director Hal Ashby. A most welcome reassessment of one of the most important figures in 1970s Hollywood.”
Todd McCarthy, THE HOLLYWOOD REPORTER
“Sheds new light on a master filmmaker who occupies a place in the pantheon alongside Coppola, Scorsese, De Palma, and Spielberg.”
Jeremy Smith, BIRTH.MOVIES.DEATH
“A loving tribute to a filmmaker who doesn’t get anywhere near the recognition and respect he deserves. Former collaborators and actors gush over his generosity and dedication to the craft. His unfiltered and uncompromising vision arguably produced the clearest, most lucid depiction of the tumultuous ’70s.”
J.R. Kinnard, NONFICS
Amy Scott’s exuberant portrait explores that curious oversight, using rare archival materials, interviews, personal letters, and audio recordings to reveal a passionate, obsessive artist. Ashby was a Hollywood director who constantly clashed with Hollywood, but also a unique soul with an unprecedented insight into the human condition and an unmatched capacity for good. His films were an elusive blend of honesty, irreverence, humor, and humanity. Through the heartrending and inspiring HAL, you feel buoyed by Ashby’s love of people and of cinema, a little like walking on water.
“One of the comparatively unsung luminaries of 1970s American cinema receives a very fine tribute in HAL, an in-depth look at director Hal Ashby. A most welcome reassessment of one of the most important figures in 1970s Hollywood.”
Todd McCarthy, THE HOLLYWOOD REPORTER
“Sheds new light on a master filmmaker who occupies a place in the pantheon alongside Coppola, Scorsese, De Palma, and Spielberg.”
Jeremy Smith, BIRTH.MOVIES.DEATH
“A loving tribute to a filmmaker who doesn’t get anywhere near the recognition and respect he deserves. Former collaborators and actors gush over his generosity and dedication to the craft. His unfiltered and uncompromising vision arguably produced the clearest, most lucid depiction of the tumultuous ’70s.”
J.R. Kinnard, NONFICS
Art&Artists
The new film program AMFEST ART&ARTISTS includes documentaries about artists who have changed the cultural landscape over the past 150 years. These are films about star creators – and about people who have pushed the boundaries of the familiar. Among the heroes of the project are Dadaist Marcel Duchamp, whose idea of the ready-made took over the world, Roy Lichtenstein with his comic paintings, the Wyeth dynasty and many others.
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Sundance Film Festival – Nominee Grand Jury Prize (Documentary)
Critics' Choice Documentary Awards, Nominee – Documentary Award, Best First Time Director
Cleveland International Film Festival – participation
PGA Awards, Nominee PGA Award – Outstanding Producer of Documentary Theatrical Motion Pictures
Critics' Choice Documentary Awards, Nominee – Documentary Award, Best First Time Director
Cleveland International Film Festival – participation
PGA Awards, Nominee PGA Award – Outstanding Producer of Documentary Theatrical Motion Pictures
Language
English
Runtime
1 hour 30 minutes
2018
18+
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The Night before Christmas
The fifth of Rimsky-Korsakov’s 15 operas, based on Nikolai Gogol’s story from the cycle “Evenings on a Farm near Dikanka”
