Christopher Willibald Gluck

Orfeo ed Euridice

Орфей и Эвридика

Director and choreographer Mark Morris’s production of Gluck’s masterpiece updates the immortal story from its ancient Greek roots to the timeless present, where, he says, “the union of chorus and dancers feels inevitable and inseparable.” With costumes by Isaac Mizrahi and a set designed by Allen Moyer, this production surrounds the action with the superb Met chorus dressed as a crowd of historic characters who bear witness to the transformative power of love.

Orfeo (Stephanie Blythe) is so consumed with grief at the death of his beloved Euridice (Danielle de Niese) that the gods (Heidi Grant Murphy as Amor) allow him to lead her back from the underworld—if he will not look at her on the way. Of course he can’t resist looking, but the gods are truly merciful.

Subscribe to The Newsletter

Actors

Orfeo

Stephanie Blythe

Euridice

Danielle de Niese

Amore

Heidi Grant Murphy

Crew

Conductor

Director

Set designer

Costume Designer

Summary

ACT I

A lonely grove—Euridice’s grave. Nymphs and shepherds lament the death of Euridice, who was bitten by a snake (“Ah, se intorno a quest’urna funesta”). Left alone, Orfeo, Euridice’s husband, adds his voice to the rites (“Chiamo il mio ben così”). Only Echo replies. Orfeo vows to rescue Euridice from the underworld (“Numi! barbari numi”).

Amor, god of love, appears with word that Jove, pitying Orfeo, will allow him to descend into the land of the dead to retrieve Euridice. To make this trial more difficult, Orfeo must neither look at Euridice, nor explain why looking is forbidden. Otherwise he will lose her forever (“Gli sguardi trattieni”). Orfeo agrees and begins his voyage.

ACT II

The Gate of Hades. Furies and ghosts try to deny Orfeo’s passage to the underworld (“Chi mai dell’Erebo”). His lament softens and placates them. He is eventually allowed to pass through to the Elysian Fields.

Elysium. Orfeo is moved by the beauty of the landscape (“Che puro ciel”). Heroes and heroines bring Euridice to him (“Torna, o bella, al tuo consorte”). Without looking at her, he takes her away.

ACT III

A dark labyrinth. Orfeo leads Euridice toward the upper world, forbidden to look at her (“Vieni, segui i miei passi”). Orfeo can’t explain (“Vieni, appaga il tuo consorte!”). Euridice panics at the thought of a life without the love of Orfeo (“Che fiero momento”). In desperation he turns to her. She dies, again. Grief-stricken, Orfeo wonders how he can live without her (“Che farò senza Euridice?”). He decides to kill himself. Amor appears and stays Orfeo’s hand. In response to Orfeo’s deep love and devotion, Amor revives Euridice. The three return to Earth.

The Temple of Love. Orfeo, Euridice, Amor, the nymphs, and the shepherds all celebrate the power of love (“Trionfi Amore!”).

Language

Italian

Runtime

1 hour 39 minutes

2009

16+

Schedule

There are no screenings in your city currently.

Can be interesting for you

Arena di Verona: Turandot

The legendary classical production by Franco Zeffirelli featuring two global stars, the brilliant Anna Netrebko and Yusif Eyvazov, presents Puccini's great opera with a truly cinematic grandeur.

11 May, Saturday

14:00 Gorizont Cinema&Emotion

Language: Italian, russian subtitles

Tickets