Porgy and Bess
Порги и Бесс
The Gershwins’ Porgy and Bess returns to the Met for the first time since 1990, in a new production directed by James Robinson in his company debut. America’s “folk opera,” as the 1935 creators described it, tells the story of disabled beggar Porgy, sung by Eric Owens, and his love for the drug-addicted Bess, portrayed by Angel Blue.
David Robertson conducts a stellar cast that also includes Donovan Singletary as fisherman Jake, Golda Schultz as his wife Clara, Latonia Moore as the bereaved widow Serena, Frederick Ballentine as drug dealer Sportin’ Life, Alfred Walker as the brutal stevedore Crown, and Denyce Graves as Maria, town matriarch and operator of the local cook-shop.
Infused with the timeless melodies of the much-loved classics “Summertime,” “It Ain’t Necessarily So,” “Bess, You Is My Woman Now,” “I Got Plenty o’ Nuttin,” and “My Man’s Gone Now,” the new co-production with English National Opera and Dutch National Opera was hailed as a triumph at its premiere in London earlier this year.
Actors
Porgy
Bess
Maria
Clara
Serena
Sportin’ Life
Crown
Jake
Crew
The disabled beggar Porgy arrives and is about to join the game when Crown and his partner Bess appear. The loudmouthed Crown joins the dice game. Drunk and high on drugs, he loses, starts a fight, and kills Robbins with a cotton hook. Before the police arrive, Crown runs off to hide, telling Bess that he’ll be back for her. The community shuns Bess as they await the arrival of the police. Sportin’ Life offers to take her to New York with him, but she refuses. Only Porgy is sympathetic to her: He offers her shelter and his protection, which she accepts.
In her room the following evening, Robbins’s widow Serena leads the mourners at her husband’s funeral. A collection is being taken to meet the cost of the burial. Porgy and Bess enter, and Bess offers Serena a contribution which at first she refuses thinking it must be Crown’s money. She finally accepts is when it is explained that it is Porgy’s.
The police officers arrive and accuse Peter the Honeyman of the murder. Fearing what might happen, he tells them that Crown was responsible but is himself promptly arrested as a material witness.
Serena convinces the undertaker to bury Robbins for less than his usual fee. Bess leads everyone in an exultant spiritual.
A month later, Jake and the other fishermen are mending their nets. Porgy compares his life to theirs. Sportin’ Life enters, but before he has an opportunity to peddle any of his “happy dust,” Maria, the matriarch of Catfish Row, chases him away. “Lawyer” Frazier sells Bess a divorce, even though she and Crown were never married.
Everyone is preparing to leave for a church picnic on Kittiwah Island. Sportin’ Life asks Bess again to come to New York with him and tries to give her more dope, which she refuses. Porgy threatens him and chases him off. He and Bess reflect on their newfound happiness. Porgy insists that Bess should go to the picnic without him. At first, she refuses, not wanting to leave him alone, but eventually, she yields to his persuasion and joins the others as they set off.
On Kittiwah Island, the evening of the same day, Sportin’ Life describes his own cynical view of religion to some of the revelers, until Serena chastises them for being taken in by his stories. The steamboat whistle announces that its time to leave, and everyone starts to pack up their belongings. Bess hurries along until Crown, who has been hiding on the island since the Robbins murder, calls out to her. He wants Bess to come with him, but she explains that she now has a new life with Porgy. Crown forces her to stay with him.
At dawn the following day, everyone cowers together in Serena’s room, and they pray for deliverance from the storm. Suddenly, there’s a knock at the door: It’s Crown seeking shelter and looking for Bess. She won’t go with him, insisting that she belongs to Porgy alone. He mocks Porgy and the frightened townspeople and counteracts their prayers for deliverance with a vulgar song. At the storm’s height, Clara sees Jake’s boat has overturned and rushes out to save her husband. Bess calls for one of the men to go after her. Crown is the only one to respond.
In Catfish Row the following night, the storm has passed. The women grieve for those who have been lost, including Jake, Clara and, it is assumed, Crown. Sportin’ Life appears, mocks their weeping, and hints that Crown is still alive. Bess is seen at a window lulling Clara’s baby to sleep. Under the cover of darkness, Crown steals in and approaches Porgy’s door. But Porgy is ready for him, strikes the first blow, and kills him.
The next afternoon, the detective returns to Catfish Row, accompanied by the coroner. They are investigating Crown’s murder, but their questioning of Serena and two other women draws a blank. They go to Porgy’s room and tell him he must come with them and identify Crown’s body. Horrified that he must look at Crown’s face, Porgy refuses to go and has to be dragged off.
Taking advantage of Porgy’s absence, Sportin’ Life tries to convince Bess that Porgy will be locked up for certain, and he attempts to lure her away to a new life. When Bess spurns him, he forces some dope on her and leaves more outside her door as he leaves.
A week later, the inhabitants of Catfish Row greet each other at the beginning of another day. Porgy returns from jail in jubilant mood: He distributes gifts that he has bought with money he won playing games of crap in jail. He is unaware of his friends’ discomfort as he calls out for Bess. Eventually, Serena and Maria tell him that Bess has gone to New York with Sportin’ Life. Hearing this, Porgy decides to follow her: He cannot live without Bess.
Synopsis reprinted courtesy of English National Opera.
Language
English
Runtime
3 hours 24 minutes with one intermission
Act 1
102 min
Intermission
24 min
Act 2
78 min
2020
16+
_Tristram_Kenton.jpg)
_Tristram_Kenton_(2).jpg)
The Met: Live in HD. Сезон 2020-2021
Весь сезон
Can be interesting for you
Salzburg: La Traviata
This recording of Verdi’s "La Traviata" from the 2005 Salzburg Festival – the uncontested and hopelessly sold-out highlight of the festival season – captures the triumphal performance not only of Anna Netrebko as Violetta Valéry, but also of Rolando Villazón as her lover Alfredo.
Arena di Verona: Carmen
A classic production by Franco Zeffirelli featuring stars of the world opera stage and Spanish flamenco dancers.
